Blues, gospel,folk—U2 absorbed the ghosts and spirits of each genre, so the church choir epiphanies of “I Still Haven’t Found What I’m Looking For” and the Hendrix-y sonic squalls of “Bullet the Blue Sky” came off as more than credible impressions. Il n'y a pas de second guitariste. I often think the best ideas are the most obvious ones.”. Drummer John Densmore handled the beat with the supple freedom of a jazzman, leading band and singer on epic improvisational journeys. There is no exact accounting of the number of guitarists who crapped their pants upon hearing “Eruption,” the second track on Van Halen’s self-titled debut. There was no heating...I thought it was fantastic!”. (For the record, Jimmy Page has been known to refer to it as simply Led Zeppelin IV.). The results were in every way better than anyone could have predicted: “Enter Sandman,” “Sad But True” and “Wherever I May Roam” are three of the most direct and compelling tunes in Metallica’s catalog, and the album’s incredible success made them the biggest band in the world. The arrangements were violent mood swings—somnambulistic verses buoyed by clean, watery guitar tones that then exploded into screaming, distorted choruses. Dark Side classics like “Money,” “Us and Them” and “Breathe” have gone into perpetual heavy rotation all around the world. Vers le milieu des années 1930, Robert Johnson est musicien professionnel depuis plusieurs années, il jouit d'une certaine notoriété dans la région et souhaite enregistrer des disques comme ses maîtres Willie Brown, Son House et Charley Patton. qq音乐是腾讯公司推出的一款免费音乐服务，海量音乐在线试听、最流行音乐在线首发、歌词翻译、手机铃声下载、高品质音乐试听、正版音乐下载、免费空间背景音乐设置、mv观看等，是互联网音乐播放和下载的首选 In the end I had an actual nervous breakdown. Certains pensent qu'il a été empoisonné par un mari jaloux, d'autres qu'il a succombé à la syphilis[5] ou à une pneumonie (pathologie pour laquelle il n'existait aucun traitement à l'époque), voire à l'action combinée des trois. Onstage, we’d hit something every once in a while that was absolute transcendental magic. Un article de Wikipédia, l'encyclopédie libre. Robert a tout son temps pour travailler la musique avec Ike. I’ll probably play those songs until the day I die.”. But Physical Graffiti’s signature track is the wondrous “Kashmir.” With Page’s tense, unyielding DADGAD chord pattern, John Paul Jones’ “Arabian string symphony,” John Bonham’s steady 4/4 beat against the 3/4 riff, and Plant’s surrealistic lyrics (written while driving through the Sahara Desert in Morocco, far from Kashmir, which is located between Central and South Asia), the song is a spellbinding monolith that sends tendrils of anxiety in all directions. WHAT THEY SAID Dimebag Darrell: “A lot of bands whine about the road and how tough it is. L'emplacement exact de la tombe de Robert Johnson n'est pas connu officiellement ; trois marqueurs différents sont érigés sur des sites possibles[5], dans des cimetières d'églises situés à l'extérieur de Greenwood. It suddenly gave us so much more to draw from—a bigger launch pad for us all to get launched into outer space from.”, Frusciante: “Following the great creative peak of recording Blood Sugar, the positive feelings I had had began to dissipate.”, 17) The Number of the Beast, 1982 (Iron Maiden). From the Warped Tour to Ozzfest, rock music is still working out the implications. Cette réaction peut être due à une relative méconnaissance de l'émotion brute et de la forme épurée du Delta blues ou, tout simplement, à cause de la qualité de l'enregistrement médiocre comparée aux standards de production actuels. Located within the former Berkshire estate of John Lennon, the studio was rented out as recording space by Lennon’s former bandmate Ringo Starr, who’d purchased the estate in 1973. Eric Clapton lui a aussi consacré deux albums entiers de reprises en 2004 : Me and Mr. Johnson (en référence à la chanson de Johnson Me and the Devil) et Sessions for Robert J. Peter Green a fait de même avec l'album The Robert Johnson Songbook (en) en 1998, tout comme John Hammond avec At the Crossroads: the blues of Robert Johnson (2003), Pyeng Threadgill avec Sweet Home: the Music of Robert Johnson (2004)[14], Rory Block avec The Lady and Mr. Johnson (2006) et Todd Rundgren avec Todd Rundgren's Johnson (2011). What they had yet to do was create an album that reflected their growth and maturity as composers and recording artists. “Free Bird” rocks like a redneck “Stairway to Heaven,” but with no bustling hedgerows or May queens to confuse your average Earl Hickey or Larry the Cable Guy—just a simple ode to sweet freedom, concluding with five uninterrupted minutes of hot dueling-guitar boogie. 16) The Essential Stevie Ray Vaughan and Double Trouble, 2002 (Stevie Ray Vaughan). The trio began laying down tracks for their first two singles, “Hey Joe” and “Purple Haze,” plus other tunes that would emerge on Are You Experienced. Robert revient finalement à Robinsonville, deux ans après l'avoir quitté. Everybody is under this illusion—even George Martin was saying, ‘Pepper was their first acid album.’ But we’d had acid, including Paul, by the time Revolver was finished.”, 9) Physical Graffiti, 1975 (Led Zeppelin). Le bluesman aurait agonisé trois jours avant de mourir. WHAT THEY SAID Kerry King: “When we started, nobody was doing what we did. Badmotorfinger was their polar opposite, an album of songs that, on the surface, seemed a piece with archetypal hard rock, but were full of odd time signatures, atonal guitar noise, unusual chord choices and various other quirks. WHAT THEY SAID Daron Malakian: “I think people know we don’t care about rules, about acceptance or becoming stars. Let’s put it on tape!’ ”. So the band took nine of the best songs from the project, went into the studio with producer Glynn Johns and emerged with one of the greatest rock and roll albums of all time. Has their ever been a band as deliciously subversive as the White Stripes? It was a breakthrough, sure, but we always try to use our breakthroughs to lead us somewhere else.”. Word of his talent and aspirations reached Maiden’s manager, who tracked him down at the Reading Festival and subsequently signed him to the band’s lead singer slot. So you hear sounds in your head, or on a record, and you say, ‘I want it to sound like this.’ And sometimes it won’t—I can’t play the trumpet, so it’s not going to sound like Miles Davis. He was 37. Exile was a perfect moment in the summertime of rock that would never again be equaled by the Stones—or anyone else. To others, the album is dense and frustrating, stuffed with filler. En 1961 et 1970, Columbia publie deux compilations contenant 16 titres chacune : La totalité des enregistrements que l'on a pu récupérer de Robert Johnson, y-compris les inédits, sont disponibles sur le double CD : Robert Johnson a enregistré en tout et pour tout 29 chansons, lors de deux sessions, en novembre 1936 et en juin 1937. That comes in his singing and writing, and hopefully our music backs that up.”. Sadly, the rest of Bloomfield’s career was entwined with a spiral of mental illness, insomnia and drug abuse. But probably the closest I ever got to Mick was playing guitar on Exile on Main St.”, 18) Blood Sugar Sex Magik, 1991 (The Red Hot Chili Peppers). Having decided that the studio wasn’t working, the band took over the house itself, recording the drums in the marble entrance hall and the Tipton and K.K. at the hands of callous parents. Sa vie, sa musique et sa mort en ont fait une légende pour plusieurs générations de bluesmen et de rockers. Then came big-budget producer Machine, who worked with guitarists Willie Adler and Mark Morton to excise the extraneous elements without detracting from their jawdropping musicianship. Bien que courte, sa carrière de bluesman a été prolifique. Metallica, Anthrax, Megadeth were all playing fast, but Reign in Blood was a new frontier.”. For the next 13 years, Bloomfield ricocheted between occasional live performances, uneven recordings for a series of mostly independent labels and outright disappearances from the music scene. Forget about it. 38) Mellon Collie and the Infinite Sadness, 1995 (The Smashing Pumpkins). “In those days, we used to invent everything we could,” says Tipton. Au total, Johnson aura enregistré vingt-neuf titres[3], avec plusieurs variantes de chaque morceau. Cream’s management was keen to push Clapton into the spotlight as the frontman and resistant to some of Bruce’s songs, many cowritten with lyricist Pete Brown. WHAT THEY SAID Terry Date, Cowboys producer: “I think we won’t see another guitar player with Dime’s kind of creativity and passion for his instrument for a long, long time, if ever.”. The thing about style is that it’s more entertaining, more important and hopefully more intellectual than technique.”, 44) Hate Crew Deathroll, 2003 (Children of Bodom). nécessaire]. He wiped the guitar off, sat down, plugged in and made history. Alexi Laiho’s blindingly fast lead runs established him as a guitar hero for the new millennium, but the abundance of catchy hooks, cartoonish lyrics and almost comically cheesy keyboards on tracks like “Sixpounder,” “Bodom Beach Terror” and “Triple Corpse Hammerblow” flashed a blood-encrusted middle finger to anyone who dared to pigeonhole Bodom as one-dimensional speedsters. When I first walked in, I thought it was going to be a quieter record, but right after we got into the studio, we wrote the song ‘Ball and Biscuit,’ and that made us go back and make some of the other songs more powerful.”, 36) Vulgar Display of Power, 1992 (Pantera). Scholz was hardly your typical rock-star-in-waiting; then 29, he was a gangly project manager for Polaroid, with a Master’s degree from M.I.T. But we aim for these things and end up with our own garbled version.”. WHAT THEY SAID Jimmy Page: “We were recording something else—I can’t remember what it was...and John Bonham just started playing the opening bars of ‘Keep a Knockin’,’ by Little Richard. Organist Ray Manzarek wove swirling baroque arabesques, his steady left hand holding down the bass line. It is as powerful, magical and oddly elusive today as when it first appeared. When it came time to track "When the Levee Breaks," Page had John Bonham set up his drum kit in the stone stairway that connected the floors. Some burned the record in mass bonfires; others battered it into shards with hammers. His impassioned, yet highly technical, style altered the perceived parameters of virtuoso guitar playing. He departed in the middle of the sessions, leaving Kooper to call in Stephen Stills to finish the recording.
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