big piano song

He must have realized that even though Leiber and Stoller were infants they could not disaffirm his co-authorship of a song, if in fact he had been a co-author. [250][251] In 1958 the "Hound Dog"/"Don't Be Cruel" single became just the third record to sell more than three million copies, following Bing Crosby's "White Christmas" and Gene Autry's "Rudolph The Red-Nosed Reindeer". The Blue Moon Boys: The Story of Elvis Presley's Band. They won, they beat me out of it. There are none of the honking saxophone solos or pounding piano flourishes that marked the R&B sound. [242], In 1957 Frank Sinatra supported US Senator George Smathers' crusade against "inferior music", including "Hound Dog", which Sinatra sarcastically referred to as "a masterpiece. Each has a focal accent which is never repeated. Ken Burke and Dan Griffin. "Hound Dog" (G2WW-5935) was initially released as the B-side to the single "Don't Be Cruel" (G2WW-5936) on July 13, 1956. We Believe anyone can learn piano. In February 2013, Thornton's recording of "Hound Dog" was inducted into Grammy Hall of Fame. A limited edition 12-inch picture disc was released in the UK, as well as a double 7-inch pack that included the "Big Love" single, and an exclusive 7-inch featuring "The Chain" as an A-side. "Well…You ain't nothin' but a bear cat, scratchin' at my door." During the day Presley's manager Colonel Tom Parker told RCA vice president Larry Kananga that "Hound Dog" "may become such a big hit that RCA may have to change its corporate symbol from the 'Victor Dog' to the 'Hound Dog'. [4] After hearing Thornton rehearse several songs, Leiber and Stoller "forged a tune to suit her personality—brusque and badass". "[238], In September 1956, Democratic congressman Emanuel Celler expressed disgusted at "the bad taste that is exemplified by Elvis Presley's 'Hound Dog' music, with his animal gyrations". Michael Coyle, "Hijacked Hits and Antic Authenticity", in Roger Beebe, Denise Fulbrook, Ben Saunders, ed.. David Edwards, Randy Watts, Mike Callahan, and Patrice Eyries. [222][223] In the third and final appearance on January 6, 1957, Presley performed seven songs, including "Hound Dog". "[187] Presley modelled his performance, particularly his hip gyrations, on the Bellboys version, which was a Las Vegas-style comic burlesque.[188][189]. otnix November 9, 2019 0 comment (6 votes, avr: 4.00) Loading... “Happy Birthday” is a song that is usually sung to celebrate someone’s birthday. "Ain't Nothin' But a Hound Dog. Leiber and Stoller along with Johnny Otis, also wrote a different version to the "Hound Dog" song structure on behalf of Big Mama Thornton, recorded with an alternative lyric entitled "Tom Cat". Cleve Jackson [Jackson Cleveland Toombs] and His Hound Dogs (1953: Herald H-1015) on Various Artists, Charlie Gore & Louis Innis "(You Ain't Nothin but a Female) Hound Dog" (March 22, 1953: King 3587), Juanita Moore and the Eugene Jackson Trio "Call Me a Hound Dog" (Robert Geddins) on Various Artists, Frank "Dual Trumpeter" Motley & His Crew (with vocal by, Big "Tiny" Kennedy [Jesse Kennedy, Jr.] and His Orchestra "Country Boy" (Tiny Kennedy) (October 1955: Groove 4G-0106) Re-released 2011: Juke Box Jam JBJ 1025), Cliff Johnson "Go 'Way Hound Dog (Let Me Sing My Blues)" (1956: Columbia 4-40865; Australia: 1957; Coronet Records KW-022). he asked. In response to journalist Dave Schwensen, who said: "I remember reading an interview a few years ago with Keith Richards from the Rolling Stones ... "He was talking about the second guitar break on the recording of 'Hound Dog' and said it sounded like you just took off your guitar, dropped it on the floor and it got the perfect sound. In most cases where we are attributed with rock and roll, it's misleading, because what we did is usually the original record—which is R&B—and some other producer (and a lot of them are great) covered our original record. "[227] However, what Stoker did not realize was that Presley wanted to record the version he saw in Las Vegas by Freddie Bell and the Bellboys that he had been performing since May. Bulletin. "[7] Using a "black slang expression referring to a man who sought a woman to take care of him",[8] the song's opening line, "You ain't nothin' but a hound dog", was a euphemism, said Leiber[6] The song, a Southern blues lament,[9] is "the tale of a woman throwing a gigolo out of her house and her life":[10], You ain't nothin' but a hound dog "[91], Presley's final performance on stage for almost 8 years was a benefit concert for the USS Arizona Memorial on Sunday, March 25, 1961, at the Bloch Arena in Pearl Harbor. [39] One of the earliest covers of Thornton's original was that of Little Esther, who recorded an R&B cover on March 11, 1953 (b/w "Sweet Lips") on Federal Records (Federal 12126) that was released by April. The lyrics of her song are quite different from the original; they talk more about The Piano Man's past with his wife and of his depression. The best part of this music sheet is getting the chords with the corresponding bass notes. After Buckingham left Fleetwood Mac in 1987 (shortly after Tango in the Night was released), the band did not perform "Big Love" live until his return in 1997. "[304] On the prior page, Peacock Records placed an advertisement promoting Thornton's release as "The Original Version of 'Hound Dog'", warning: "Beware of Imitations – Follow the Leader for Good Results" before reminding the reader: "The Original – The Best". Nazareth, Peter. ", "Is Apologetix the way to welcome God's return?". [224], For 7 hours from 2.00pm on July 2, 1956, the day after the Steve Allen Show performance, Presley recorded "Hound Dog" along with "Don't Be Cruel" and "Any Way You Want Me" for RCA Victor at RCA's New York City studio with his regular band of Scotty Moore on lead guitar, Bill Black on bass, D. J. Fontana on drums, and backing vocals from the Jordanaires. This time the protagonist is male, directly challenging the worthless female of the original song—correcting her previous insults and re-directing them at her. "Ladder of Best Sellers From King and Federal Records". [301], On September 9, 1952, the copyright application for "Hound Dog" was lodged. Chicago Review Press. Really. p. 52. "[232] In analyzing Presley's recording, Fink asserts that, "Hound Dog" is "notable for an unremitting level of what can only be called rock and roll dissonance: Elvis just shouts, leaving behind almost completely the rich vocal timbres ("romantic lyricism") and mannerist rhythmic play on added syllables ("boogification") that Richard Middleton identifies as the cornerstones of his art. You could hear it from the theater, from the loudspeaker. I think it was printed somewhere that we did it about forty or sixty … I don't know, give or take. The song also appeared on the second volume of Cameron Crowe's Elizabethtown film soundtrack. "[206] In another interview Bell said: "I hope my career is more than giving 'Hound Dog' to Elvis". In April, 1954, Billboard's Rolontz summed up the events thusly: "The year 1953 saw an important precedent set in regard to answer tunes … since the 'Hound Dog' decision, few record firms have attempted to 'answer' smash hits by other companies by using same tune with different lyrics. Sales+streaming figures based on certification alone. All COURSES - Existing and New 23 Courses. Robey then instructed his company lawyer Irving Marcus to sue Phillips and Sun Records,[309][314] hoping to use this as a test case to determine the legal status of all answer songs. Elvis Presley and his band first encountered "Hound Dog" at the Sands Casino in Las Vegas, Nevada in 1956. [97] According to James M. Salem: [I]nstead of barking and howling there is meowing and hissing in the background. 2006. [170] In June 1984 music researcher and historian George A. Moonoogian also "found a stylistic similarity" between Frank "Dual Trumpeter" Motley & His Crew's 1954 number "New Hound Dog" (Big Town 116) and Bell's 1955 Teen Records release of "Hound Dog". "[21] As a result, Leiber and Stoller started their own label, Spark Records,[51][52] and publishing company, Quintet Music. According to Hound Dog: The Leiber and Stoller Autobiography, Thornton's "Hound Dog" was the first record that Leiber and Stoller produced themselves, taking over from bandleader Johnny Otis. … It was just … it was just there. Their recording of "Hound Dog" was a local hit in the Philadelphia area, and received "lots of radio play on the east coast, and Bell found himself with a regional hit,[163] that included Philadelphia, Cleveland, and New York. By the end of 1953 at least six "answer songs" that responded to 'Big Mama' Thornton's original version of "Hound Dog" were released. According to the findings of the court in Valjo Music Publishing Corporation v. Elvis Presley Music: "Thereafter Otis, in apparent disregard of the contracts both with Spin Music Inc. and plaintiff, arranged to have 'Hound Dog' published by Lion Music Publishing Company of Houston, Texas, and released by its affiliate Peacock Records. [13] According to Iain Thomas, "'Hound Dog' embodies the Thornton persona she had crafted as a comedienne prior to entering the music business" by parading "the classic puns, extended metaphors, and sexual double entendres so popular with the bawdy genre. I couldn't just have a song full of expletives. [217][218] Presley performed in a tuxedo while singing an abbreviated version of "Hound Dog" to an actual top hat-wearing Basset Hound. "Hound Dog" has been at the center of controversies and several lawsuits, including disputes over authorship, royalties, and copyright infringement by the many answer songs released by such artists as Rufus Thomas and Roy Brown. [331] On December 4, 1957, Federal Court Judge Archie O. Dawson dismissed Valjo's claim in the New York Federal Court,[332][333][334] on the basis that Otis was "unworthy of belief", that he admitted forging Leiber and Stoller's signatures on a declaration to third-party publisher Lion Music, that Leiber and Stoller were underage at the time, and that Otis had signed a release to any claims for $750. It might not even be a Memphis Recording Service demo. The song was the first single to be released from the album, reaching number 5 in the US[3] and number nine in the UK. [310] An article entitled "New Howl Goes Up Over 'Hound Dog' Infringement" in The Pittsburgh Courier of August 8, 1953 reported: In response, Robey counter-sued both King Records and Valjo Music over Roy Brown's answer record, and also over Little Esther's cover record (King 12126). The Blue Moon Boys: The Story of Elvis Presley's Band. [161][162][163][164], In early 1955 this version of "Hound Dog" became the first record released on Teen Records (TEEN 101),[165] "a subsidiary of the equally obscure Sound Records",[166] that was owned by Lowe; jazz impresario Nat Segal, who owned Downbeat, the first integrated nightclub in Philadelphia;[167] and partially by American Bandstand's creator and first host Bob Horn. The song was the first single to be released from the album, reaching number 5 in the US and number nine in the UK. [40], In late February 1953, "Hound Dog" was released by Peacock (Peacock 1612),[5][35] with the song credited erroneously on the label to Leiber-Stroller [sic]-Otis. But I ain't gonna feed you no more[11], The song was written for a woman to sing in which she berates "her selfish, exploitative man",[12] and in it she "expresses a woman's rejection of a man – the metaphorical dog in the title". Billboard ranked it as the number two song for 1956. I could have sent my kids to college, like they sent theirs," Otis said. In December 2004, Rolling Stone magazine ranked it No. He expressed some disappointment in the success of the cover: "It just sounded terribly nervous, too fast, too white. Robert Fink, "Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon", in Roger Beebe, Denise Fulbrook, Ben Saunders, ed., Rock Over the Edge: Transformations in Popular Music Culture (Duke University Press, 2002) p. 98. In May 1956 (two months before Presley recorded his version), Bell and the Bell Boys recorded a more up tempo version of the song for Mercury that was over 20 seconds shorter, and that also omitted the comedic "arf arf" dog sounds of their 1955 Teen Records version. Despite "Hound Dog" spending 16 weeks at number one on the pre-Dick Clark Bandstand,[173] it attracted no national attention. No recorded version is known to survive. ", Dutchcharts.nl – Elvis Presley – Hound Dog", Dutchcharts.nl – Elvis Presley – Jailhouse Rock", "British single certifications – Elvis Presley – Hound Dog", "American single certifications – Elvis Presley – Hound Dog_Don_t Be Cruel", Recording Industry Association of America, "Johnson, Cliff (RCS Artist Discography)", "El Vez is part Weird Al, part Elvis – and all entertainment", "Christian group ApologetiX readies for Farmer City concert", "Brian Lukasavitz, "Blues Law: Hound Dog vs. Bear Cat, "Catalog of Copyright Entries 1952 Unpublished Music Jan-Dec 3D Ser Vol 6 Pt 5B", "popsike.com - CLASSIC WILLIE MAE "BIG MAMA" THORNTON 78 "HOUND DOG" - auction details", "Sam Phillips: Sun Records: The Man Who Invented Rock & Roll", "VALJO MUSIC PUBL. He went back over and over again until he learned the chords and lyrics. with Kansas City Bill and Orchestra "Hound Dog" / "Rock-a-Bye Baby" (Aust & NZ: 1956; Prestige PSP-1004) Song is credited to Robey-Thornton-Leiber-Stoller. The song first appeared on the band's 1987 album Tango in the Night. [322] However, on March 26, 1953, it was credited to Leiber, Stoller, and Otis; and Valjo Music—not Spin—was the registered publisher.[323]. "The Once And Always Godfather: Johnny Otis", "Remembering Johnny Otis 1921–2012: Part 1: The Early Years, "The Backpages Interview: Jerry Leiber and Mike Stoller", "Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon", "Mama's Voice: The Lasting Influence of Willie Mae 'Big Mama' Thornton", Array: RE0000059284 / 1980-05-13 EU0000287247 / 1952-09-09 Title: Hound dog. As the legal dispute about its composition had not been resolved, authorship of the Mercury Records version is attributed to Leiber-Stoller-Otis. Moonoogian, George A. "Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. [96] These included: However, the most popular of the answer songs to "Hound Dog" was "Bear Cat (The Answer To Hound Dog)" (Sun 181) recorded by Memphis disc jockey Rufus Thomas (adopting the nickname, "Rufus 'Hound Dog' Thomas") at Sun Studios at 706 Union Avenue, Memphis.on March 8, 1953,[97] just two weeks after Thornton's original version was released,[98] and even before a review of "Hound Dog" had been published in Billboard,[99] While retaining the same melody as "Hound Dog", Sun founder Sam Phillips wrote new lyrics,[12] in which he altered the gender of the singer, who bemoaned that his woman was a "bear cat", a Jazz Age slang term for "a hot-blooded or fiery girl". [99] "Bear Cat" had new lyrics written by Sun Records founder Sam Phillips,[12] in which he altered the gender of the singer, who bemoaned that his woman was a "bear cat", a Jazz Age slang term for "a hot-blooded or fiery girl". This version is slower and includes "arf arf" sounds. Buckingham continues to perform the song on solo tours as well as Fleetwood Mac tours. [100][101] The record's spare electric guitar work by Memphis bluesman Joe Hill Louis was greatly influenced by that of Pete Lewis on the original. [36] After the release of "Hound Dog" by Presley, the Habanera rhythm gained much popularity in American popular music. 'Hound Dog' just took off like a jet. In 1999 David Grisman, John Hartford, and Mike Seeger included "Hound Dawg" on their 1999 album Retrograss, which was nominated for a Grammy in the Traditional Folk Album category in 2000. [44] The success of "Hound Dog" secured Peacock Record's place as a major independent label. "[97][141], The most protracted lawsuit involving "Hound Dog" was Valjo Music Publishing Corporation v. Elvis Presley Music that was initiated in the United States District Court for the Southern District of New York in October 1956, after the commercial success of Elvis Presley's version of the song, and concluded in December 1957. [10], Agreeing with Robert Fink, who claims that "Hound Dog" as performed by Presley was intended as a burlesque, "troping off white overreactions to a black sexual innuendo",[164] Freya Jarman-Ivens asserts that "Presley's version of 'Hound Dog' started its life as a blackface comedy", in the manner of Al Jolson, but more especially "African-American performers with a penchant for 'clowning' – Louis Armstrong, Dizzy Gillespie, and Louis Jordan. [106][107][108][109], On March 28, Billboard reported that, "In an effort to combat what has become a rampant practice by small labels—the rushing out of answers which are similar in melody and/or theme to ditties which have become smash hits—many pubbers are now retaining attorneys. But if someone was counting it off, just a couple notes and we stop, that's a take. [285] Several parodies emphasized the cross-cultural appeal of Presley's record. [202] It was Freddie Bell and the Bellboys' performance of the song (with Bell's amended lyrics) that influenced Presley's decision to perform, and later record and release, his own version: "Elvis's version of 'Hound Dog' (1956) came about, not as an attempt to cover Thornton's record, but as an imitation of a parody of her record performed by Freddie Bell and the Bellboys … The words, the tempo, and the arrangement of Elvis' 'Hound Dog' come not from Thornton's version of the song, but from the Bellboys'. "[341] However, Leiber and Stoller maintained consistently and emphatically that Otis was "not a writer of the song" (emphasis theirs). This page was last edited on 19 May 2021, at 12:15. [citation needed], Speaking to music writer Ralph J. Gleason, Thornton recalled that she added a few interjections of her own, played around with the rhythm (some of the choruses have thirteen rather than twelve bars), and had the band bark and howl like hound dogs at the end of the song: "I started to sing the words and join in some of my own. So when we get to the theater they was blasting it. She could have done that song a cappella and convinced me that, by God, you ain't nothing but a damned hound dog! Thornton recorded two takes of the song, and the second take was released. As for the tune, there's practically no melody, but a rhythm pattern", adding that it is hard to differentiate between any two 12-bar blues songs. Bell removed innuendoes like "You can wag your tail but I ain't gonna feed you no more" and replaced them with sanitized lyrics, changing a racy song about a disappointing lover into a song that was literally about a dog. Robert Fink, "Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon", in Roger Beebe, Denise Fulbrook, Ben Saunders, ed., Steve Sullivan, "Hound Dog (1956)-Elvis Presely" in, See George A. Moonoogian and Roger Meedem, "Ain't Nothin' But a Hound Dog" in. [laughs] I hadn't heard the record in so long. CORP. v. ELVIS PRESLEY MUSIC", "From the Mouths of Babes: Protecting Child Authors From Themselves", "Opinion, Valjo Music vs. Elvis Presley Music in US District Court, Southern District of New York, December 4, 1957". [13] Musically, he gave the song a rock and roll rhythm. [161] However, the regional popularity of this release, along with the group's showmanship, yielded a tour; an appearance in the seminal pioneer Rock and Roll musical film Rock Around the Clock in January 1956;[174] and eventually a recording contract with Mercury Records' Wing Records subsidiary by February 1956.[175]. [193][194] Presley researcher Guillermo F. Perez-Argüello contends that: Whatever Presley got from hearing Freddy Bell's version, which was sometime in April of 1956, lasted a couple of months only. Though many assumed the "female" "ahh" to be Stevie Nicks, Buckingham performed both, his voice being sampled and altered to mimic that of a woman. I didn't like that reference to chicken and watermelon, said 'Let's get that crap out of there.' [164][214] It was the first major controversy of Presley's career. [209][210], Presley first performed "Hound Dog" for a nationwide television audience on The Milton Berle Show on June 5, 1956. Jack Turner and His Granger County Gang (Recorded: March 20, 1953; Released: April 4, 1953: RCA Victor 47–5267), Betsy Gay (Recorded: March 18, 1953; Released: April 11, 1953: Intro Records 45–6070) (w/, Eddie Hazlewood (April 11, 1953: Intro Records 45–6069). (Huntington Press, 2001) p. 59. 97–98. 12; Top 100 Single of 1987", "British single certifications – Fleetwood Mac – Big Love", The Complete Blue Horizon Sessions 1967–1969, The Green Manalishi (With the Two Prong Crown), Somebody's Gonna Get Their Head Kicked in Tonite, Just Tell Me That You Want Me: A Tribute to Fleetwood Mac, https://en.wikipedia.org/w/index.php?title=Big_Love_(Fleetwood_Mac_song)&oldid=1017505250, Song recordings produced by Richard Dashut, Cite certification used for United Kingdom without ID, Short description is different from Wikidata, Certification Table Entry usages for United Kingdom, Certification Table Entry usages of salesamount without salesref, Pages using certification Table Entry with streaming figures, Pages using certification Table Entry with streaming footnote, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, "Big Love" (House on the Hill Dub) – 3:03, This page was last edited on 13 April 2021, at 04:25. "[291] In 1991, Elvis "translator" El Vez,[292] backed by The Memphis Mariachis, released "(You Ain't Nothin' But A) Chihuahua", a "Chicano Power parody"[293] that opens with: "You ain't nothin' but a Chihuahua/ Yapping all the time. [248] It stayed in the number one spot until it was replaced by "Love Me Tender", also recorded by Elvis. "[230] The result of Presley's efforts was an "angry hopped-up version" of "Hound Dog". '"[21], Otis played drums on the recording,[22] replacing Ledard "Kansas City" Bell. The Spanish singer Ana Belen made a version of this song in Spanish called "El Hombre Del Piano." (1988) "Musical Acculturation: 'Hound Dog' From Blues to Swedish Rock'n'Roll. We'd listen to the demo, most of the time, and we'd take it from the demo. Steve Allen, who had already booked Presley for The Steve Allen Show on NBC, faced pressure from network executives to cancel the performance. On Dec 21, 2012, the day that many thought the Mayans had predicted the world would end, a Calgary radio station played the song 156 times in a row to celebrate the end.. [63] It has also received the following accolades: Thornton's "Hound Dog" was so popular that it spawned at least ten cover versions of the original before Elvis Presley recorded it in July 1956. [13] In the Memphis courts, Lion Publishing Co. sought royalties and treble damages, claiming "Bear Cat" was "a dead steal". Recorded originally by Big Mama Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. "[234] After this recording, Presley performed this "angry hopped-up version" of "Hound Dog" in his concerts, and also on his performances on The Ed Sullivan Show on September 9 and October 28, 1956. [15], Leiber and Stoller wrote the song "Hound Dog" in 12 to 15 minutes, with Leiber scribbling the lyrics in pencil on ordinary paper and without musical notation in the car on the way to Stoller's apartment. [302] It was renewed subsequently on May 13, 1980, with the same details.[303]. According to Guinness World Records 1998, “Happy Birthday to You” is the best known song in English, followed by “For He’s a Jolly Good Fellow”. Both the 1955 Teen Records (2:45) and the 1956 Mercury Records (2:22) versions of "Hound Dog" are included in the 1996 compilation album Rockin' Is Our Business (Germany: Bear Family Records BCD 15901). In Australia and New Zealand, Prestige Records (founded in Auckland by 17 year-old Phil Warren and Bruce Henderson)[59] released the same record on licence in 1956 (Prestige PSP-1004), but the composition is credited to Robey-Thornton-Leiber-Stoller. We're on a mission to make learning piano accessible and affordable to all. "[96], While "the result was peppier than Big Mama's version, with a more straight-ahead beat ... [Phillips] was under no illusions about surpassing the original": "Hell, we didn't come close to being as good as Big Mama. Great Big Sea covered R.E.M’s End of the World as We Know It (and I feel fine). [287] In January 1957, Jewish American satirist Mickey Katz released a Yinglish novelty song version, "You're a Doity Dog" (Capitol F3607), singing with a Yiddish accent, and having a klezmer break between verses. Beamed via Globecam Satellite to Australia, South Korea, Japan, Thailand, the Philippines, South Vietnam and other countries, it was also seen on a delayed basis in around thirty European countries. "New Hound Dog" (Big Town 116) by Frank "Dual Trumpeter" Motley and His Motley Crew, with vocals provided by, Los Rogers (in Spanish, as "El Twist Del Perro") (1961); (Dog Twist), Aurelio Morata (in Spanish, as "Perra Boba"), "Mr. Hound Dog's in Town" recorded on March 18 by Blues shouter. Presley's 1956 RCA recording was inducted into the Grammy Hall of Fame in 1988, and it is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll". Currently publishers are putting up a fight to protect their originals from unauthorised or infringing answers. * (2:20) (Leiber-Stoller-* "Hound Dog" (Leiber-Stoller-Otis) (2:20), "Hound Dog" (Leiber-Stoller-Otis) (2:20) / "Big Bad Wolf" (1957: Mercury Records 45152), "Hound Dog" / "Don't Be Cruel" (Recorded: July 2, 1956; Released: July 13, 1956: RCA Victor 47–6604) (Canada: July 13, 1956; RCA Victor 20–6604) (Germany: August 4, 1956; RCA 20–6604; 47–6604) (UK: September 1956; HMV POP 249) (Belgium: September 1956; 47–6604) (Australia: 1956; RCA 10186) (Italy, 1956: RCA Italiana 45N 0515) "Perro De Caza (Hound Dog)" (Spain: 1957; RCA 3–10052) (Japan: August 1962; Victor SS-1297). His version is like a combination of country and skiffle. Ken Burke and Dan Griffin. [11], 12" single (Warner Brothers Records 0-20683). Bloch Arena: U.S.S. It simply is not him. After listening to it we actually thought it was awful and couldn't figure out why Elvis wanted to do that. [214], Unfortunately for Presley, the mainstream public did not find the sexually-charged performance amusing, and controversy erupted. "[294][295][296][297], Encouraged by the 1994 decision of the U.S. Supreme Court in Campbell v. Acuff-Rose Music, Inc. that "ruled that … musicians do not have to obtain permission from the original artists to perform and record parodies of those compositions",[298] other parodies of "Hound Dog" emerged subsequently. "[42], On March 7, 1953, "Hound Dog" was advertised in Billboard, and reviewed positively on March 14, 1953, as a new record to watch, described as "a wild and exciting rhumba blues" with "infectious backing that rocks all the way". [221], Although Ed Sullivan had publicly stated he would never invite Presley onto his show, the ratings success of Presley's appearance on The Steve Allen Show convinced him to reconsider. This overly-optimistic apocalypse song has enough tongue-twisters to have your guests making most of it up as they go. [4], A 12-inch version featured an extended dance mix, with added vocals by Stevie Nicks. Société Mankeur Ndiaye RCA : la plateforme Galaxy exige l’expulsion de Mankeur Ndiaye de la Minusca et la suspension de la station RFI [11] For example, Leiber complained about Presley adding the line, "You ain't never caught a rabbit, and you ain't no friend of mine", calling it "inane…It doesn't mean anything to me. By August 18, 1956, Peacock Records had re-released Big Mama Thornton's original recording of "Hound Dog", backing it with "Rock-a-Bye Baby" (Peacock 5–1612),[56] but it failed to chart. "I used to do 'Hound Dog.' [41] Thornton recalled later that she learned her record was in circulation while she was on her way to a performance with the Johnny Otis Orchestra during this tour in Dayton, Ohio. "[196] Presley was aware of and appreciated Big Mama Thornton's original recording of "Hound Dog",[198] and had a copy in his personal record collection. Vocalist Charlie Gore and guitarist Louis Innis recorded "(You Ain't Nothin' But A Female) Hound Dog" (King 45–1212) for King Records on March 22.

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